Op-Ed: Western Anti-Muslim Attitudes Feed Resentment | Asia Sentinel
Christof Lehmann, 05 October 2012
Behind the Innocence of Muslims rage
Eleven years after the events which catalyzed the United States’ “war
on terror” and a series of conflicts from Afghanistan to Syria, the
release of the short film Innocence of Muslims stirred worldwide mass protests.
After three weeks the protests continue unrelenting. The political
discourse has been dominated by radical demands for the hanging of
Nacoula Besseley, the 55 year old producer of the movie and with demands
for laws against blasphemy on one hand, and almost equally radical
statements against any limitations to the freedom of speech and
expression on the other.
Whether intended or unintended, the movie and the subsequent responses
to it are bound to radicalize a new generation of young Muslims. The
effect was foreseeable and one might want to ask who benefits.
Since the Mohammed cartoons in the Danish newspaper Jyllandsposten
catalyzed worldwide protests in 2006 it has become a well-established
fact that cultural insults and insults against Islam in the western
entertainment industry and media have a greater capacity for stirring
mass protests than military campaigns do.
A young married couple in Somalia will perceive a drone attack that
kills members of a wedding party in Pakistan as a distant event. An
insult on the prophet Mohammed on the other hand makes it easy for
Muslims worldwide to identify personally and culturally with the insult.
Regardless whether one belongs to a Sunni, Shia, Alewite, Druze or any
other Muslim community, an insult on the prophet and Muslims per se is
likely to be perceived as an insult on the heart of one’s cultural self
and identity.
The response to a low budget movie like Innocence of Muslims would most
likely have been very limited had it not been for the fact that Muslims
have been systematically denigrated in Hollywood movies for decades.
The Arab American scholar Dr. Jack Shaheen reviewed more than 1,000
movies and ascertained that more than 25 percent in one way or the other
denigrate and scapegoat Arabs. Shaheen concludes in his book “Real Bad
Arabs” that Hollywood deprives an entire people from their humanity.
Another Arab scholar, the Palestinian American Edward Said, coined the
term “Orientalism” to describe how western culture stereotypes all
cultures from the Middle East to East Asia.
The movie has had the potential to catalyze worldwide protests because
it elicits the fact that western entertainment industry and media have
been depriving entire peoples from their humanity for decades. The
systematic stereotyping of Muslims creates the cognitive background for
justifying illegal wars and the inhumane treatment of Muslims in wars
and in captivity.
Many of the movies which portray aggressive US foreign policy and
military campaigns positively while denigrating Muslims are produced
with the support of the US Department of Defense.
It is not surprising that the protests are global, and that limitations
on freedom of speech and expression are being demanded. Protesters,
including Islamic scholars and religious leaders, elicit the fact that
many western countries have stringent laws which prohibit the incitement
of religious hatred. It has not escaped them that countries like
Germany and France rigorously enforce laws that prohibit hateful
statements against Jewish people while failing to apply the same laws
when Muslims are denigrated and dehumanized.
If one argues for the universality of values such as the freedom of
speech and expression, then why not apply this universality on issues
such as “The Holocaust”? Why create laws against libel ? Can the problem
be reduced to the simple statement that “ freedom of expression is a
universal value, but some are more worthy of making an exception than
others” ?
Intended or unintended, the not so innocent movie radicalized the
cultural and political discourse and is bound to radicalize a new
generation of young Muslims. Although the majority of the protests were
peaceful and dignified expressions of outrage, many of them resulted in
confrontations with police forces. The images of Muslim protesters being
chased, beaten and in some instances killed by Muslim policemen have
been transmitted throughout the world.
For many of the protesters, and especially for many of the young
protesters the experience of conflict with the police will be a
catalyzing experience. Some of the protesters will have lost friends or
loved ones during clashes with police forces. Millions will have heard
the reports about killed protesters in the media. The police authorities
moderate governments have become the executioners and oppressors of
those who protest for a just cause.
Terrorism experts such as the Iranian American Fathali M. Moghaddam
describe perceived injustice and being deprived of influence in
legitimate political grievances as some of the basic preconditions for
the radicalization of terrorists. Others like Taylor and Louis describe
the denigration of ones cultural self as one of the most significant
contributing factors. Most terrorism experts agree that cultural factors
play a significant role in the radicalization processes which lead to
involvement in terrorism.
On 26 September Islamic leaders from Pakistan concluded a mammoth
conference about the movie in Islamabad. The participants unanimously
demanded the death penalty for everybody who has taken part in making
the blasphemous movie. Others, like Shaikh Jamal Munib from the
Philippines encouraged dialog and a society where Christians and Muslims
can coexist peacefully.
With radical Islamic movements on standby, ready to recruit a new
generation of Holy Warriors into terrorist organizations it is not
surprising that even moderate Islamic leaders feel themselves pressured
into making radical statements such as demanding the death penalty for
everybody who was involved in making the movie.
Regardless whether it was intended or not, the not so innocent movie is
radicalizing the political and religious discourse. It has most likely
created a few thousand potential recruits who are ready to join exactly
those organizations which express the very stereotypes that have been
created by Hollywood. Some will end up in organizations with ties to
intelligence agencies of those nations against whom they believe to wage
a holy war. The senior security adviser to several US-Administrations
Zbigniew Brzezinski boasted that he had created Al Qaeda. In the final
equation it would be interesting to analyze the question: “Who
benefits?”
(Christof Lehmann is a psychologist, Consultant in Politics,
Behavior in Finance and Economics, Conflict Resolution, Peace Building
and Reconciliation, Crisis Psychology and Public Relations.)
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